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001			ssj0001646472
003			WaSeSS
005			20230516100533.0
008			151211t20182016nyuao b 001 0 eng d
010			_a 2015048058
020			_a9780231179638 _qpaperback (acid-free paper)
020			_z9780231179621 _qcloth : alk. paper
020			_z9780231542081 _qeBook
040			_aDLC _beng _cDLC _dDLC _dWaSeSS _dUOC _erda
042			_apcc
082	0	0	_a700.19 _223 _bERI
100	1		_aKandel, Eric R. _93889 _eauthor.
245	1	0	_aReductionism in art and brain science : _bBridging the two cultures / _cEric R. Kandel.
246			_fFirst paperback Edition.
264		1	_aNew York : _bColumbia University Press, _c2018.
264		4	_c© 2016 Eric R. Kandel.
300			_ax, 226 pages : _billustrations (some color) ; _c23 cm.
336			_2rdacontent _atext _btxt
337			_2rdamedia _aunmediated _bn
338			_2rdacarrier _avolume _bnc
504			_aIncludes bibliographical references and index.
505	0		_aIntroduction. The emergence of a reductionist school of abstract art in New York -- The Beginning of a Scientific Approach to Art -- The Biology of the Beholder's Share: Visual Perception and Bottom-Up Processing in Art -- The Biology of Learning and Memory: Top-Down Processing in Art -- A Reductionist Approach to Art. Reductionism in the Emergence of Abstract Art -- Mondrian and the Radical Reduction of the Figurative Image -- The New York School of Painters -- How the Brain Processes and Perceives Abstract Images -- From Figuration to Color Abstraction -- Color and the Brain -- A Focus on Light -- A Reductionist Influence on Figuration -- The Emerging Dialogue Between Abstract Art and Science. Why Is Reductionism Successful in Art? -- A Return to the Two Cultures.
650		0	_aReductionism _94135
650		0	_aArt _xPsychology _94138
650		0	_aVisual perception _94136
650		0	_aNeurosciences and the arts _94137
942			_2ddc _cBK
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949			_hkokoebook
949			_hsbenebook
949			_hcoebook
999			_c1527 _d1527