000			04191cam a2200433 i 4500
001			19125196
003			OSt
005			20230112155804.0
008			160607t20162016enkag b 001 0 eng d
010			_a 2016026629
020			_a9781107476493 _qpaperback
020			_z9781107094512 _qhardback
040			_aDLC _beng _cDLC _erda _dDLC _dUOC
042			_apcc
082	0	0	_a781.542 _223 _bMER
245	0	4	_aThe Cambridge companion to film music / _cedited by Mervyn Cooke and Fiona Ford.
246	1	4	_aFilm music
250			_aFirst Edition.
264		1	_aCambridge, United Kingdom : _bCambridge University Press, _c2016.
264		4	_c© Cambridge University Press 2016.
300			_axxi, 411 pages : _billustrations, music ; _c25 cm.
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
490	1		_aCambridge companions to music
504			_aIncludes bibliographical references (pages 356-394) and index.
505	0		_aPart one : _tMaking film music. _tEvolving practices for film music and sound, 1925-1935 / _rJames Buhler and Hannah Lewis -- _t"Pictures that talk and sing" : sound history and technology / _rDavid Cooper -- _tThe composer and the studio : Korngold and Warner Bros. / _rBen Winters -- _tCan't buy me love? : economic imperatives and artistic achievements in the British pop-music film / _rStephen Glynn -- _t"A film's first audience" : the composer's role in film and television / _rGeorge Fenton in conversation with Mervyn Cooke.
505	0		_aPart two : _tApproaching film music. _tFilm-music theory / _rGuido Heldt -- _tStudying film scores : working in archives and with living composers / _rKate Daubney -- _tReturning to Casablanca / _rPeter Franklin -- _tParental guidance advised? : mash-ups and mating penguins in Happy feet / _rFiona Ford -- _tMaterializing film music / _rMiguel Mera.
505	0		_aPart three : _tGenre and idiom. _tFilm noir and music / _rDavid Butler -- _tAnother other history of jazz in the movies / _rKrin Gabbard -- _tHorror and science fiction / _rStan Link -- _tThe Western / _rRobynn J. Stilwell -- _tThe music of screen musicals / _rCaryl Flinn -- _t"Britannia-The musical" : scores, songs and soundtracks in British animation / _rPaul Wells.
505	0		_aPart four : _tMusic in world cinemas. _tLeone, Morricone and the Italian way to Revisionist Westerns / _rSergio Miceli -- _tMusic, noise and silence in the late cinema of Jean-Luc Godard / $r Danae Stefanou -- _tHans Werner Henze and The lost honour of Katharina Blum / _rAnnette Davison -- $t Tåoru Takemitsu's collaborations with Masahiro Shinoda : the music for Pale flower, Samurai spy and Ballad of Orin / _rTimothy Koozin -- _tWelcome to Kollywood : Tamil film music and popular culture in South India / _rMekala Padmanabhan.
520			_ahis wide-ranging and thought-provoking collection of specially-commissioned essays provides a uniquely comprehensive overview of the many and various ways in which music functions in film soundtracks. Citing examples from a variety of historical periods, genres and film industries - including those of the USA, UK, France, Italy, India and Japan - the book's contributors are all leading scholars and practitioners in the field. They engage, sometimes provocatively, with numerous stimulating aspects of the history, theory and practice of film music in a series of lively discussions which will appeal as much to newcomers to this fascinating subject as to seasoned film music aficionados. Innovative research and fresh interpretative perspectives are offered alongside practice-based accounts of the film composer's distinctive art, with examples cited from genres as contrasting as animation, the screen musical, film noir, Hollywood melodrama, the pop music and jazz film, documentary, period drama, horror, science fiction and the Western.
650		0	_aMotion picture music _xHistory and criticism.
700	1		_aCooke, Mervyn _94033 _eeditor.
700	1		_aFord, Fiona _94034 _eeditor.
830		0	_aCambridge companions to music. _94035
906			_a7 _bcbc _corignew _d1 _eecip _f20 _gy-gencatlg
942			_2ddc _cTEXT BOOK
999			_c1492 _d1492